A concert of Daft Punk
news for Double Chemical Brothers and Daft Punk , the monsters of the electro scene. Both duos have jumper over a clubber, and they are now at the top of their game. Chem Bro ' occurred in Antwerp on November 23. The Daft a live CD coming out five days earlier. This is an opportunity to compare the two titans in a battle audiovisual heavyweight. The best man win!
Ding Ding!
Round one: music
On the red corner: Chemical Brothers. Active since 1992 both Red Devils have produced six albums, compilations and seven lives (plus a book) and a concert DVD. Tom Rowlands and Ed Simons are considered the creators of Big Beat, which was followed by British artists like Fatboy Slim or Prodigy . Their successes are classics of electronic music that never transpired on Hey Boy Hey Girl cast the first stone. On the
blue corner: Daft Punk, Thomas Bangalter and Guy-Manuel de Homem Christo, their real names. They have also started playing in 1992 but produced only three albums (half compared to their opponents the day) for five compilations and live performances (plus three DVD's). Spiritual fathers of the French Touch movement , they have also advanced the history of electronica. Their title Da Funk was one of the first of its kind to be passed by radio.
If there is a gap between the two groups in terms of record production, it should be noted that every time they release a CD, this is a new style, or even a new concept.
Round two: If the style
Chemical Brothers simply never capitalized on their mouths old teens, the problem of the image is more important for Daft Punk. At the beginning of their careers, they are associated with the man with the dog's head (because of the clip Da Funk), but now the two French appear systematically covered masks robots. They trusted the magazine Les Inrockuptibles in 2001: " helmets with robots, we find our heads more beautiful than our human heads. The robots are much more fun than us on the cover of magazines. What share of the load and of modesty? Impossible to answer. We are prepared to give a lot of things, many of us - but in music - not necessarily pay in person. "One thing is certain, these two groups gave a rather precise logic of anonymity for electronic artists. If the faces are unfamiliar, the visual aspect is not neglected. The Daft worked with French director Michel Gondry and the manga artist Leiji Matsumoto (dad of Harlock ) for their videos.
On the red corner: Chemical Brothers. Active since 1992 both Red Devils have produced six albums, compilations and seven lives (plus a book) and a concert DVD. Tom Rowlands and Ed Simons are considered the creators of Big Beat, which was followed by British artists like Fatboy Slim or Prodigy . Their successes are classics of electronic music that never transpired on Hey Boy Hey Girl cast the first stone. On the
blue corner: Daft Punk, Thomas Bangalter and Guy-Manuel de Homem Christo, their real names. They have also started playing in 1992 but produced only three albums (half compared to their opponents the day) for five compilations and live performances (plus three DVD's). Spiritual fathers of the French Touch movement , they have also advanced the history of electronica. Their title Da Funk was one of the first of its kind to be passed by radio.
If there is a gap between the two groups in terms of record production, it should be noted that every time they release a CD, this is a new style, or even a new concept.
Round two: If the style
Chemical Brothers simply never capitalized on their mouths old teens, the problem of the image is more important for Daft Punk. At the beginning of their careers, they are associated with the man with the dog's head (because of the clip Da Funk), but now the two French appear systematically covered masks robots. They trusted the magazine Les Inrockuptibles in 2001: " helmets with robots, we find our heads more beautiful than our human heads. The robots are much more fun than us on the cover of magazines. What share of the load and of modesty? Impossible to answer. We are prepared to give a lot of things, many of us - but in music - not necessarily pay in person. "One thing is certain, these two groups gave a rather precise logic of anonymity for electronic artists. If the faces are unfamiliar, the visual aspect is not neglected. The Daft worked with French director Michel Gondry and the manga artist Leiji Matsumoto (dad of Harlock ) for their videos.
a Chemical Brothers concert
Round three: Live
What about live performances? It is difficult to describe. The
Daft Punk are touring the world for a year and a half. Musically speaking, this is a huge remix of their three albums: a comparison of these three different worlds. The marriage is successful, the live CD is there to testify. The euphony music gives even better than the original albums. The show is nice to live: in seeing the two robots on their pyramid of light, it feels like to live fireworks hour shift. This show adds a visual dimension to large singular mix: one is transported into their world, we follow a journey, carried by the luminous harmony.
The visual aspect is also present in the show of Chemical Brothers. These appear in public with uncovered faces behind the decks but not, computers and synths. Their trip is very different: harder to bear, the sound is rough, not necessarily flat. During their live, the British began chained by their success: Do it again , Galvanize, Hey Boy Hey Girl or Get Yourself High are balanced in the first fifteen minutes. The rest consists of research dissonant sounds a bit like Pierre Henry. This experience is accompanied by a quasi-chemical sequence of images fast and psychedelics. In an interview published on http://www.blogger.com/www.myspace.com/radiordl Tom Rowlands explains: " Videos (projected in concert) are created by one of our friends, Adam Smith. He is with us since our inception. When we create sounds, it's just an idea of one of us, but we work closely with him. "About the third man, Ed Simons added:" is probably the person who brings us the most. "The mystery is levied on the special atmosphere of their live: both DJ's are accompanied by a VJ (Video Jockey for ).
Final round: and the winner is ...
After pushing electronic music to its limits hearing, Chemical Brothers and Daft Punk now focus specifically on live VJing. The image projection on electro could not be more fashionable in box: the mythical club Fuse in Brussels, organized by the way, last Saturday, a festival where VJs were also important that DJs. In
occurring around the world, our two electronic bands are revolutionizing the live performance, and popularizing the VJ. They engage current trend of music ever used in that form before, remaining this way the pioneers a visual kind.
And the winner is ... the music of course.
Between the two groups? You decide, as always.
SC
What about live performances? It is difficult to describe. The
Daft Punk are touring the world for a year and a half. Musically speaking, this is a huge remix of their three albums: a comparison of these three different worlds. The marriage is successful, the live CD is there to testify. The euphony music gives even better than the original albums. The show is nice to live: in seeing the two robots on their pyramid of light, it feels like to live fireworks hour shift. This show adds a visual dimension to large singular mix: one is transported into their world, we follow a journey, carried by the luminous harmony.
The visual aspect is also present in the show of Chemical Brothers. These appear in public with uncovered faces behind the decks but not, computers and synths. Their trip is very different: harder to bear, the sound is rough, not necessarily flat. During their live, the British began chained by their success: Do it again , Galvanize, Hey Boy Hey Girl or Get Yourself High are balanced in the first fifteen minutes. The rest consists of research dissonant sounds a bit like Pierre Henry. This experience is accompanied by a quasi-chemical sequence of images fast and psychedelics. In an interview published on http://www.blogger.com/www.myspace.com/radiordl Tom Rowlands explains: " Videos (projected in concert) are created by one of our friends, Adam Smith. He is with us since our inception. When we create sounds, it's just an idea of one of us, but we work closely with him. "About the third man, Ed Simons added:" is probably the person who brings us the most. "The mystery is levied on the special atmosphere of their live: both DJ's are accompanied by a VJ (Video Jockey for ).
Final round: and the winner is ...
After pushing electronic music to its limits hearing, Chemical Brothers and Daft Punk now focus specifically on live VJing. The image projection on electro could not be more fashionable in box: the mythical club Fuse in Brussels, organized by the way, last Saturday, a festival where VJs were also important that DJs. In
occurring around the world, our two electronic bands are revolutionizing the live performance, and popularizing the VJ. They engage current trend of music ever used in that form before, remaining this way the pioneers a visual kind.
And the winner is ... the music of course.
Between the two groups? You decide, as always.
SC
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